Chapter 17

Robert Campin. Mérode Altarpiece (Triptych of the Annunciation). c. 1425 - 28. Oil on wood panel, approx. 253/8 x 107/8" (64.5 x 27.6 cm). The Metropolitan Museum of Art, New York.

Anonymous. Ideal City with a Fountain and Statues of the Virtues. c. 1500. Oil on wood panel, 2'6 1/2" x 7'15/8" (0.77 x 2.17 m). Walters Art Gallery, Baltimore.

Paul, Herman, and Jean Limbourg. Page with February, Très Riches Heures. 1413 - 16. Colors and ink on parchment, 8 7/8 x 5 3/8" Musée Cond é, Chantilly, France.

Claus Sluter. Well of Moses, detail of Moses and David, from the Chartreuse de Champmol, Dijon, France. 1395 - 1406. Limestone with traces of paint, height of figures 5'8 " (1.69 m).

Melchior Broederlam. Annunciation and Visitation and Presentation in the Temple and Flight into Egypt, wings of an altarpiece for the Chartreuse de Champmol. 1394 - 99. Oil on wood panel, 5'5 3/4" x 4'1 1/4" (1.67 x 1.251 m). Musée des Beaux-Arts, Dijon.

Jan van Eyck. The Annunciation. c. 1434 - 36. Oil on canvas, transferred from wood panel, painted surface 35 3/8 x 13 7/8" (90.2 x 34.1 cm). National Gallery of Art, Washington, D.C.

Jan van Eyck. Man in a Red Turban. 1433. Oil on wood panel, 10 1/4 x 7 1/2 " (26 x 19.1 cm). The National Gallery, London.

Jan van Eyck. Portrait of Giovanni Arnolfini(?) and His Wife, Giovanna Cenami(?). 1434. Oil on wood panel, 33 x 22 1/2" (83.8 x 57.2 cm). The National Gallery, London.

Arnolfini Wedding detail dog.

Arnolfini Wedding detail mirror.

Arnolfini Wedding detail fruit.

Rogier van der Weyden. Deposition from an altarpiece commissioned by the Crossbowmen’s Guild, Louvain, Brabant, Belgium. c. 1442. Oil on wood panel, 7'25/8 " x 8'71/8" (2.2 x 2.62 m). Museo del Prado, Madrid.

Rogier van der Weyden. Last Judgement Altarpiece (see Beaune altarpiece). After 1443. Oil on wood panel, open 7'45/8" x 17'11" (2.25 x 5.46 m). Mus ée de l’Hôtel-Dieu, Beaune, France.

Rogier van der Weyden. Portrait of a Lady. c. 1460. Oil and tempera on wood panel, 141/16 x 105/8" (37 x 27 cm). National Gallery of Art, Washington, D.C.

Petrus Christus. Saint Eloy (Eligius) in His Shop. 1449. Oil on oak panel, 385/8 x 33 1/2" (98 x 85 cm). The Metropolitan Museum of Art, New York.

Hans Memling. Saint Ursula Reliquary. 1489. Painted and gilded oak, 34 x 36 x 13" (86.4 x 91.4 x 33 cm). Memling Museum, Hospital of Saint John, Bruges, Belgium.

Hugo van der Goes. Portinari Altarpiecec. 1474 - 76. Tempera and oil on wood panel; center 8'3 1/2" x 10' (2.53 x 3.01 m), wings each 8'3 1/2 " x 4'7 1/2" (2.53 x 1.41 m). Galleria degli Uffizi, Florence.

Cope of the Order of the Golden Fleece. Flemish, mid-15th century. Cloth with gold and colored silk embroidery, 5'49/16" x 10'95/16" (1.64 x 3.3 m). Imperial Treasury, Vienna.

Hunt of the Unicorn tapestry series c. 1498 - 1500. Wool, silk, and metal thread (13–21 warp threads per inch). The Metropolitan Museum of Art, New York.

Jean Fouquet. Melun Diptych, Etienne Chevalier and Saint Stephen, c. 1450. Oil on wood panel, (92.7 x 85.5 cm). Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Gemäldegalerie.

Jean Fouquet. Melun Diptych, Virgin and Child. c. 1451. Oil on wood panel, 365/8 x 33 1/2" (94.5 x 85.5 cm). Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium.

Konrad Witz. Miraculous Draft of Fish from an altarpiece from the Cathedral of Saint Peter, Geneva, Switzerland. 1444. Oil on wood panel, 4'3" x 5'1 " (1.29 x 1.55 m). Musée d'Art et d'Histoire, Geneva.

Martin Schongauer. Christ Carrying the Cross c. 1480 - 90. Engraving, 11 3/8 x 16 7/8 in. (28.9 x 42.9 cm). The Metropolitan Museum of Art, New York.

Filippo Brunelleschi. Dome of Florence Cathedral1417 - 36; lantern completed 1471.

Filippo Brunelleschi. Nave, Church of San Lorenzo, Florence. c. 1421 - 28, 1442 - 46.

Leon Battista Alberti. Palazzo Rucellai, Florence. 1455 - 70.

Facade, Church of Sant'Andrea.

Nave, Church of Sant'Andrea. Vault width 60' (18.3).

Sangallo. Church of Santa Maria delle Carceri.

Luciano Laurana. Courtyard, Ducal Palace, Urbino. 1465–79.

Ducal Palace (alternate view).

Nanni di Banco. Four Crowned Martyrs c. 1410 - 13. Marble, height of figures 6' (1.83 m). Orsanmichele, Florence.

Lorenzo Ghiberti. Gates of Paradise (East Doors), Baptistry of San Giovanni, Florence. 1425 - 52. Gilt bronze, height 15' (4.57 m). Museo dell'Opera del Duomo, Florence.

Donatello. David,. Dated as early as c. 1420 and as late as the 1460s. Bronze, height 5'2 1/4 " (1.58 m). Museo Nazionale del Bargello, Florence.

Donatello. Mary Magdalen c. 1455. Polychromy and gilt on wood, height 6'2 " (1.88 m). Museo dell'Opera del Duomo, Florence.

Luca della Robbia. Madonna and Child with Lilies. Orsanmichele, Florence. c. 1455 - 60. Enameled terra-cotta, diameter approx. 6' (1.83 m).

Masaccio. Trinity with the Virgin, Saint John the Evangelist, and Donor, fresco in the Church of Santa Maria Novella, Florence. c. 1425 - 27/28. 21' x 10'5 " (6.4 x 3.2 m).

Masaccio. Tribute Money fresco in the Brancacci Chapel. c. 1427. 8'1" x 19'7 " (2.3 x 6 m).

Fra Angelico. Annunciation fresco in Cell No. 3, east corridor, Monastery of San Marco, Florence. c. 1441 - 45. Image 6'1 1/2" x 5'2" (1.87 x 1.57 m).

Perugino. Delivery of the Keys to St. Peter fresco on the right wall of the Sistine Chapel, Vatican, Rome. 1482. 11'5 1/2" x 18'8 1/2" (3.48 x 5.70 m).

Sandro Botticelli. Primavera c. 1482. Tempera on wood panel, 6'8" x 10'4 " (2.03 x 3.15 m). Galleria degli Uffizi, Florence.

Sandro Botticelli. The Birth of Venus c. 1484 - 86. Tempera on canvas, 5'87/8 " x 9'17/8" (1.8 x 2.8 m). Galleria degli Uffizi, Florence.

Sandro Botticelli. Mystical Nativity 1500. Oil on canvas, 42 x 29 1/2" (106.7 x 74.9 cm). The National Gallery, London.

Giovanni Bellini. St Francis in Ecstasy1470s. Oil and tempera on wood panel, 49 x 557/8" (125 x142 cm).The Frick Collection, New York Copyright the Frick Collection, New York.

Copyright © 2004 Jennifer Hu and Lars Trupe, except for digital images of art which were used with permission from www.Artchive.com
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