From
the SDUHSD Course Descriptions catalog:
Prerequisite: The
ability and academic background to complete Grade Level: 10-12 college-level
work.
Grade Level: 10 - 12
Fulfills the UC/CSU Visual & Performing Art Requirement with a C-
grade or better
"This portfolio
is intended to address a very broad interpretation of two-dimensional
design issues. This type of design involves purposeful decision-making
about how to use the elements and principles of art in an integrative
way. The elements of design (line, shape, illusion of space, illusion
of motion, pattern and texture, and value and color) are like a palette
of possibilities that artists use to express themselves. The principles
of design help guide artists in making decisions about how to organize
the elements on a picture plane in order to communicate content. These
principles include unity/variety, balance/emphasis/rhythm, and proportion/scale.
(Graphic Design) See www.collegeboard.com for further explanation."
The AP
Studio Art portfolios are designed for students who are
seriously interested in the practical experience of art.
AP Studio Art is not based on a written exam; instead, students submit
portfolios for evaluation at the end of the school year. Each portfolio
must reflect a student’s ability to utilze the elements and principles
of design, use a variety of medium, and express a sophisticated level
of creativity. Students will independently investigate
an area of concentration in their artwork which will be composed of research,
exploration, practice and development of an idea. Students will not only
create the required work, but they must also strive to make their art
as interesting, creative and unique as possible. Although creative expression
and experimentation are important aspects of what is accomplished in this
course, the quality of each work should be as high as possible.
Each assignment will
focus on one or more of the CALIFORNIA STATE STANDARDS IN VISUAL
ART :
1.0
ARTISTIC PERCEPTION
Students perceive and respond to works of art, objects in nature, events,
and the environment. They also use the vocabulary of the visual arts to
express their observations.
2.0
CREATIVE EXPRESSION
Students apply artistic processes and skills, using a variety of media
to communicate meaning and intent in original works of art.
3.0
HISTORICAL AND CULTURAL CONTEXT
Students analyze the role and development of the visual arts in past and
present cultures throughout the world, noting human diversity as it relates
to the visual arts and artists.
4.0
AESTHETIC VALUING
Students analyze, assess, and derive meaning from works of art, including
their own, according to the elements of art, the principles of design,
and aesthetic qualities.
5.0
CONNECTIONS, RELATIONSHIPS, APPLICATIONS
Students apply what they learned in the visual arts across subject areas.
They develop competencies and creative skills in problem solving, communication,
and management of time and resources that contribute to lifelong learning
and career skills. They also learn about careers in and related to the
visual arts.
Class
Expectations
GENERAL
RULES/EXPECTATIONS
1.
Be on time. This means be in your
seat and ready to go when the bell rings. Because of the level of work required
for this course -- you need to be here and be
on time (see
tardy policy). In addition, I expect students to stay working until
clean up and dismissal.
2. Be Prepared.
Be mentally prepared, alert and have materials that are needed in class
everyday. Sketchbooks, CD's, research for projects, artwork etc. are useless
if they are at home... or in your car... so make sure you bring them to
class.
3. Be Responsible.
Art supplies are very expensive so please take care of them! Clean up
your materials, supplies and workspace every day before you leave. Be
a citizen!
4. Please
exercise “respect” in the classroom. This means respect
of other students (and their artwork), the teacher and the equipment/classroom.
If you do, others will treat you with the same courtesy. Any behavior
which prevents teaching or disrupts the class will not be tolerated. Consequences
for lack of respect/being disruptive will be detention and additional
assignments, lowering of studio
performance grade or a referral.
5. Cell Phone
and iPod/Walkman Policy. Cellphones are to remain off/silent
during class. If you are seen talking on the phone or text messaging,
you will be given one warning. After that, the cell phone will be taken
away until the end of the class. On the second offense, the cell phone
will be given to your Assistant Principal and you can retrieve it there.
Further use of phones during classs will receive referrals as well as
a significant lowering of your studio performance grade. You may bring
iPods etc. to class. They will need to remain off during lecture and critique
-- basically off at any time other than individual work time. You are
welcome to listen during your studio time as long as it is not too loud
(if I can hear it across the room - it's too loud). The above cell phone
policy will apply if you use it during lecture or critique.
6. HAVE FUN!
Most importantly, art is a wonderful, inspirational subject...enjoy yourself!
:-)
ATTENDANCE AND TARDY POLICY
Tardy
Policy: Tardies 1 through 3, you will be
marked tardy. On your fourth tardy, you will be assigned to Saturday School.
If tardies are excessive, I will discuss additional class make-up time
on an individual basis.
Attendance
and Missed Work: You will be creating over 20 artworks this year
in class... so it is extremely important for you to be in class. If you
miss class (excused or unexcused), it is YOUR RESPONSIBILITY
to take care of missed work/studio time. All assignments and the weekly
schedules will be up on this website. Being absent may mean that you'll
have to come in after school or during lunch to make up missed studio
time and meet project deadlines. Come see me about open studio hours if
needed. Unexcused absences will also have a negative effect on your studio
performance grade. See late work for more
information about missing assignments.
GRADING
POLICY
In general, my grading policy is as follows: an “A” is outstanding
work and exceeds expectations; a “C” meets and fulfills
requirements; and an “F” does not meet the requirements. We
will talk more specifically about this in class as you receive assignments.
If caught cheating
-- using or "borrowing" someone else's work or imagery (whether
it is another student's work or something from the web) -- you will receive
a "0" on that assignment in addition to disciplinary action.
Evaluation of student
work is based on the following criteria:
- design quality
- understanding and use of elements of art and principles of design
- concepts/ideas
- creativity
- craftsmanship
and use of materials
- effort and participation
(Studio Performance)
- artistic process
Your grade will comprise
of approximately the following:
- 1
- Studio Performance - see below
-
2 - Sketchbook: Use of sketchbook as a forum for sketching/planning
ideas, visual research, sketching, journaling of ideas, sketching...
you get the idea!
- 3
- Artwork: Obviously, this class is about creating a body of work that
is college-level. You will be graded on your artistic process, use of
materials, craftsmanship, creativity and artistic "voice"
LATE
WORK
Turn in your work on time! Grades for late work will be lowered 10% for
each day it's late (for example from an 90% to 80% after one day, to an
70% after two and so on...) At the end of the grading period, all work
will be due. After that point, it will not be accepted.
If you are absent,
it is your responsibility to come see me about make-up work. If you are
absent one day, work that was due the day you missed will be due the
day you return. If you are absent two or more days, you will
have two days to turn in your work. Please come see me
if you know you will be absent to avoid confusion and discuss making up
the work/studio time you will be missing. If the absence is unexcused,
the work will be automatically counted as late (10% off).
STUDIO
PERFORMANCE
Daily participation during class (includes staying on
task, abiding by classroom rules, keeping up with work, participating
in class discussions and critiques...etc.) will be evaluated as STUDIO
PERFORMANCE. This will account for 20% of your semester grade! Unexcused
absences and tardies will be detrimental to this grade.
HOMEWORK
Homework will consist of the following:
- Sketchbook/Journal:
you will be required to keep a sketchbook so that you have a better
understanding of thought processes involved in art, the value of putting
ideas on paper and to use as an informal venue to create artwork.You
will also be asked to do in-class activities, drawings, writings and
take notes in your sketchbook. It will be checked periodically. The
sketchbook should be brought to school everyday. You may purchase one
(with unlined paper only) or you can make one out of the supplies in
the classroom. You will also want a folder to keep class handouts etc.
- Research
for major projects: Many of the projects in this class will
require some research, gathering of background information and sketching
activities that will happen outside of class.
- Other:
At various times throughout the semester, you may be asked to review
an article about an artist, reflect upon artwork you have seen, or write
a short art historical paper. You will also be asked to visit a museum
each semester and complete a museum review.
FIGURE
AND FILM STUDIES
Often during the course sequence of all the visual art courses, the student
will be working with visual materials such as famous art works, films
of famous artists, charts and diagrams, slides, VHS tapes/video disks,
the World Wide Web, and computer programs. This material may contain complete
anatomical references, nude model poses and views of artists working from
the nude in their studios, as well as scenes from modern films. The material
may also mention and discuss the alternative lifestyles sometimes lived
by famous artists, and may be expressed in language that might be considered
offensive to some people. Current issues, as they relate to art and free
expression, are also discussed in the art classes. If you have questions,
or do not wish to participate in classes in which we may be discussing
or viewing figure and film studies, please discuss with me or e-mail me.
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